[Root's whispered little promise pulls a moan out of Shaw, equal to the one that Carver elicits when he palms her chest (and this particular symmetry she likes, thank you very much). In other circumstances, with other people, it might have been embarrassing - but she knows that Carver is probably too busy reading too much into his own actions to give her shit for hers, she's long since moved past the point of embarrassment with Root. As long as she doesn't get too unbearably smug about how easily she can get Shaw to roll over for her, it's all good.
Someone less good at multitasking might put all her attention into doing to Carver what she wants done to her - or, alternately, would lose track of Root's intentions and focus solely on the man under her hands. Shaw doesn't have that problem. She leans her back into Root, but cranes her neck up, not breaking the liplock with Carver. She hooks a hand around his neck, holding him in place firmly enough to convey intentionality, but not so firmly that he couldn't easily break away if he chose to. Her shirt's off, his shirt's off-- and her other hand slooooowly trails its way down his chest and stomach, her fingers tracing the waistline of his pants. Just thinking ahead.]
[ Jealousy is the furthest thing from her mind -- if anything, she's thinking the opposite, about how to make sure this goes well. It's so easy for others to miss that Shaw doesn't actually want to be in charge all the time, and Root assumes most of her prior lovers have required training or otherwise been profoundly unsatisfying.
They haven't talked about it explicitly, but Root puts a tremendous amount of thought and energy into understanding Shaw, and she has a natural facility for human connection besides. She usually finds people tedious, but she wouldn't be such a good manipulator and identity chameleon if she didn't have a base aptitude for them. So although they've had sex comparatively few times, Root is confident she has an accurate read on Shaw's sexual tastes. Therefore, she's being quite deliberate in making sure Carver notices how Shaw likes things. He said it had been a while for him and he was open to direction; Shaw is amusingly bad at communicating; Root sees a perfect place to step in.
Mirroring what she's doing exactly would make for awkward body mechanics, which just gives Root an excuse to remove her mouth from Shaw's neck and replace it with a hand, arm wrapping around her and palm settling over her throat. She gives only a subtle squeeze, meant to tease and not take over the scene.
Her other hand slides down to tease lower, fingers slipping past waistline just as hers search out Carver's. ]
[ Okay, Carver thinks, smiling at that noise Shaw makes. He likes the way she cups his skull with her hand, holding him there. Not pinning, but directing him. And it's easy to follow; he's good at that. Easy, too, to watch how Root moves. To take note of how she and Root fit together, the ways they bend. The hand Root puts around Shaw's throat like a promise.
His stomach tightens but he squeezes Shaw's breasts again, figuring out what pressure she likes. Maybe she likes to be contained the same way he does, sometimes. There'd be symmetry in that.
He doesn't flinch at Root's hand. Just lifts his hip and undoes his belt to help her, because that's easy. ]
Don't touch my scars, [ he murmurs, because he knows they're ugly - that dappling of keloid tissue over his hip, the knife and gunshot scarring on his back. He can still feel things there, just muted. He leans forward and sucks a mark into Shaw's throat, just because. ]
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Someone less good at multitasking might put all her attention into doing to Carver what she wants done to her - or, alternately, would lose track of Root's intentions and focus solely on the man under her hands. Shaw doesn't have that problem. She leans her back into Root, but cranes her neck up, not breaking the liplock with Carver. She hooks a hand around his neck, holding him in place firmly enough to convey intentionality, but not so firmly that he couldn't easily break away if he chose to. Her shirt's off, his shirt's off-- and her other hand slooooowly trails its way down his chest and stomach, her fingers tracing the waistline of his pants. Just thinking ahead.]
no subject
They haven't talked about it explicitly, but Root puts a tremendous amount of thought and energy into understanding Shaw, and she has a natural facility for human connection besides. She usually finds people tedious, but she wouldn't be such a good manipulator and identity chameleon if she didn't have a base aptitude for them. So although they've had sex comparatively few times, Root is confident she has an accurate read on Shaw's sexual tastes. Therefore, she's being quite deliberate in making sure Carver notices how Shaw likes things. He said it had been a while for him and he was open to direction; Shaw is amusingly bad at communicating; Root sees a perfect place to step in.
Mirroring what she's doing exactly would make for awkward body mechanics, which just gives Root an excuse to remove her mouth from Shaw's neck and replace it with a hand, arm wrapping around her and palm settling over her throat. She gives only a subtle squeeze, meant to tease and not take over the scene.
Her other hand slides down to tease lower, fingers slipping past waistline just as hers search out Carver's. ]
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His stomach tightens but he squeezes Shaw's breasts again, figuring out what pressure she likes. Maybe she likes to be contained the same way he does, sometimes. There'd be symmetry in that.
He doesn't flinch at Root's hand. Just lifts his hip and undoes his belt to help her, because that's easy. ]
Don't touch my scars, [ he murmurs, because he knows they're ugly - that dappling of keloid tissue over his hip, the knife and gunshot scarring on his back. He can still feel things there, just muted. He leans forward and sucks a mark into Shaw's throat, just because. ]